Nothing crazy, nothing mental - just great tones. The layout is fairly simple - one clean channel, and one overdrive channel, and some reverb. Designed to be a killer practice amp for those who want all-tube tone at affordable prices and sensible volumes, the HT5-R MKII emphatically fits the bill. Their versatility and sheer ability has made a once fringe amp manufacturer one of the world’s most popular brands, and the small-but-mighty HT5-R MKII is proof of that. Simply put, Blackstar makes some brilliant amps. The included footswitch enables you to change presets on the fly, as well as access the onboard looper - making the GTX100 a pretty versatile amp, and one of the best combo amps you can buy. The 1x12” specially designed speaker boasts a pretty flat tonal response, so whether you’re replicating a Blues Junior, Deluxe Reverb, Bassman or using the Bluetooth connectivity to stream your favorite tracks, everything should sound just right. If you’re not keen on endlessly tweaking settings, then a massive collection of 200 artist-designed presets should be just right for you. The signal path on the GTX is entirely configurable, meaning you can reorder the blocks in your signal chain, all at the touch of a button - or change any settings you want from the Fender TONE 3.0 app. Widely seen as a great practice amp for beginner to intermediate players, the GTX series takes the sheer convenience of having every tone at your fingertips to another level.Ĭreating your own presets is a breeze. More options.Īnother entry from the big ‘F’, the Mustang amps have been Fender’s go-to amp for reliable, affordable modeling technology. Your call - but it’ll sound pretty good either way. Either ride the input and master volume controls and set it as clean as you can, or dime the input volume, engage the ‘fat’ switch and bathe in the harmonic glow of those ECC83’s. This thing can get loud, and do it very tastefully too. Now, it’s not a 100-watter like some of the amps we’ve seen so far, but don’t be fooled by the lower output. The 12” A-type Celestion is well balanced and sweet sounding, delivering crisp highs, a full, warm bass response and laid back midrange. This mark IV variant adds both modified preamp circuitry and a smoother sounding spring reverb - delivering that timeless Fender tone that we all know and love. One speaker, one channel - the Blues Junior IV is truly simple and straightforward to use, and with that simplicity comes great joy. The amp we’re talking about here is the most recent mark IV version, so let’s see what Fender has going on under the hood here. The Fender Blues Junior has been one of the most iconic small combo amps of the last few decades, and to be honest, we can understand why. All in all, the DSL40CR is a much welcomed update to the DSL line, and definitely worth looking at. Marshall has teamed up with Softube to provide an exceptional emulation of the 1960 cabinet - meaning that you needn’t make any noise at all while laying down your guitar parts. This thing sounds great mic’d up, but when that’s just not possible the emulated output comes to the rescue. Independent presence and resonance controls allow some pretty in-depth tone tweaking, perfect for studio use. 40W of all-tube power is monumental, after all. Dirty, this amp comes to life - and the low output setting provides access to these tones much more easily. The 3-way EQ is powerful and exceptionally intuitive, and onboard reverb helps give your playing a bit of breathing room. With ‘classic gain’ and ‘ultra gain’ channels present, it won’t shock you to hear that this amp truly sings when overdriven - but while Marshalls are not especially known for their clean tones, this DSL really pulls something special out of the bag. A near perfect blend of quality and value for money, the DSL40CR is one of the best combo amps we can find for less than $/£1,000. If you’re a fan of Marshall, you’ll definitely be familiar with the DSL range.
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